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Allahabad, Uttar Pradesh, India
Blog-Advisor -: Dhananjai Chopra(Course Coordinator,CMS,IPS,AU), Founding Blog-Manager -: Prateek Pathak....

Wednesday, March 14, 2012

भारतीय राजनीति का बदलता स्वरूप आज अैार कल


एक समय था, जब राजनीति केवल देशहित के लिए की जाती थी। गाँधी, नेहरू का जमाना था, जिसमें राजनीति का केवल एक मकसद था देशहित।
गाँधी जी ने ऐसी राजनीति की जिसने देश को आजादी की राह दिखाई। देश के लिए  राजनीति करते हुए बडे बडे नेता सलाखों के पीछे चले गए,पर आज की राजनीति देशहित को छोड कर केवल स्वहित पर आधारित है। आज भी नेता जेल जा रहे हैं पर देश के लिए नही अपनी भ्रष्टाचारी प्रवृत्ति के कारण। राष्ट्रमंडल खेलों मे हुई धंाधली और टेलीकाॅम घोटाले किसी से छुपे नही है।




आज की राजनीति एक शर्मनाक मोड़ ले चुकी है। आज की राजनीति एक शर्मनाक मोड़ ले चुकी है। कहीं जूते फेंके जा रहे हैं तो किसी को सरेआम थप्पड़ मारा जा रहा है, थप्पड़ और जूतों से बात नही बनीं तो मुँह पर स्याही भी फेंक दी गई।
हमारी राजनीति एक भयानक मोड़ ले चुकी है, अगर ये हमारी नई राजनीति का आगाज है तो इसका अंजाम क्या होगा।
किसी भी देश की राजनीति उस देश का आइना होती है। हमें अपने आइने को फिर से चमकदार बनाना होगा, जिसमें प्रत्येक नागरिक और देश की छवि स्पष्ट दिखाई दे। 








प्रियंका श्रीवास्तव 

Student
University of Allahabad

Sunday, March 4, 2012

Holi the colorful festival !









With an adieu to the arctic winters steps in spring with boisterous vehemence and brings forth the most popular and fun filled festival in India: HOLI. A festival adorned with innumerable shades is traditionally a harvest festival. The caravan of colors enfolds the spirit of fervor and felicity.


We being Indians cannot live without spices of life and festivals are the most fascinating spices which delights the taste buds of our life.





Music infuses hilarity to any celebration. Similarly holi has its rich collection of myriad range of songs. The incredible India with its folk songs on holi amplifies the vigour of celebration and simultaneously the bollywood holi tracks are sung aloud to enjoy the fiesta to its fullest.


However with the change in concepts and plot of contemporary cinema, holi songs have lost their way. The last popular bollywood contribution to holi comes from movies like ‘Waqt’ and ‘Delhi heights’. Though Aishwarya Rai can be seen dancing with colours in ‘Action replay’ but it hardly drenched the audiences. Amithabh Bachhan’s contribution should not be denied as his “holi khele raghuveera awadh me...” from ‘Baghbaan’ is indeed a treat to ears.



Peeping through the old collections of bollywood songs appears the milestones of bollywood holi collections. “Rang barse …”, “ang se agn lagaana sajan…”, “aaj na chodenge…”, “are ja re hat natkhat…”, and “holi aai se kanhai…” are a few songs which are heart throbbing and would ever remain gelled with holi. Though the reign of holi is being vanquished from bollywood but Hindi television soaps are not behind to take its full flavor.



Songs and dance alone cannot rock the floor in holi. A festival also has its economic effects as there can be no celebrations with its certain material requirements. Holi for sure is festival of colours but to play colours we need water guns or better say pichkaaris. And my dear friends market is stacked with all of it. However what we are supposed to notice is that “china” has been able to read the Indian mentality of going for the cheapest and saving the rest for doctor’s fees. The entire market is heaped with toxic colours and pichkaaris made up of low quality plastics which are without a doubt harmful for the tender kids. But we have no escape as kids would demand them for certain and we have no options available to meet the requirement in the same price. Local producers of holi colours and pichkaaris have taken their hands back for their market has been ruined with Chinese invasion.





Though suggestions are always given to play holi safely and that too with herbal colours but reality has its own chapter, where maximum Indian’s on their own festivals are drenched in Chinese colours.

The India’s pride Bollywood seems not to adhere much with holi but Chinese seems to enjoy the bucks they are earning. If the scenario continues our coming generations would tap there feet with Chinese holi songs and fill their belly with Chinese ‘Gujia’.
We should certainly hope that no day comes with such a dawn.
























Richa Tiwari 
Student
B.A in Media Studies
University of  Allahabad

Tuesday, February 28, 2012

Chief Minister Mayawati is Modern Edwin – criticized but would be extol in approaching years…..






Uttar Pradesh chief minister Mayawati is now a celebrity, a star and modern times Edwin-some will say tarnished - for stiffing numerous huge statues in Lucknow and Noida of dalit idols like B R Ambedkar, Kanshi Ram and herself. This is, of course, a pompous polity implement. Nonetheless history might in due course memorize her not just as a dalit neta but also as the Edwin of this Era.



As many news channels on occasion of 100 years to Delhi broadcasted that when the British moved their capital to Delhi, Sir Edwin Landseer Lutyens and other British architects were bid to India to build New Delhi, a great new city outside the old walled city of Delhi. They produced spacious boulevard and gigantic edifices of red sandstone. Vast public spaces were created between Edwin ' two most famous creations, India Gate and Rashtrapati Bhavan.


Mayawati's level is not reasonably as pushy. Yet her massive parks in Lucknow(many made damaging sports stadiums) must grade among the utmost new open places created in any Indian city since Independence. Her parks are ringed by sandstone lattice walls that seem to come straight off the drawing board of Lutyens. Yet like every public space in our nation, walls are filled with names inscribed by the commoners and spit spots. Moreover I like others have appreciated more if much money has been spent on places like hospitals etc with statues was fine. So, it is no twist of fate that Mayawati's kingdom is identical to Edwin' Delhi. She has drawn on ancient Buddhist architecture no less than Edwin did.


Ambedkar pose dalits to espouse Buddhism as a asylum from caste subjugation in our country. BehenJi has taken the neo-Buddhist loom auxiliary, using the elephant (holy in Buddhism) as her party's symbol. Hindu dalits have always been exploited, and have never had a chronological blond epoch to illustrate on as a spring of delight. However the neo-Buddhist dalit has a Buddhist blond epoch to hark rear to, and Mayawati has used this to the budge.


Akin to Edwin and the Mughals previously, Mayawati has used building to send out a political message. Edwin New Delhi designed to signify the grandeur of British Raj. Shahjahan's Red Fort designed to signify the splendor of Mughal rule. Mayawati's Lucknow and Noida’s architecture signifies the go up of dalits, not only in the capital of biggest state of the country but also neighboring city of Edwin Delhi- the capital of our country showing that she will reach their too. 


BehenJi has been condemned extensively on dailies and Tv Shows for hundreds of crores she has spent on cryptogram of sumptuousness instead of expenses on the poor or dalits which ultimately made her the Queen of Dalits. This is no different from denigration by Indian nationalists of Edwin and the British Raj, who were also alleged of slaying huge money on majestic edifices while populaces famished. Nobody remembers that denigration of Edwin any more. The same will one day be true of Mayawati. Furthermore like some Political Pundits I am also of the view that covering statues in these parks will not harm her in these elections.


Her New Lucknow has ostentatious spacious infrastructure and snobbish hotels next to the great parks. They seem massively high-class compared with the collapse, jam-packed passageway of the old city. Critics criticize that she is generating a splendid novel area for a new-fangled cream of the crop while neglecting old quarters. They concede that the parks are undeniably immense unwrap spaces that the civic can use, but say it's awful to fritter millions on a New Lucknow alike Edwin (New Delhi from Old Delhi) while parting the old city engrossed in muck and overlook. Probably unerringly the matching denigration was finished of Edwin when he built New Delhi, neglecting Old Delhi.


When I conversed with some of the old-time residents of Lucknow are exceedingly significant of the construction style of Mayawati's New Lucknow. They articulate her massive new arrangements are from top to bottom out of moral fiber with the city's famous Islamic architecture and its two great Imambaras. This, again, cacophonously echoes denigration of Edwin by Delhi residents of his time (as history tells), for building something completely out of character with the great Islamic architecture of old Delhi. But as now Edwin is remembered for great artitechture and mindset and few years Mayawati would be the modern times Edwin.


The denigration in both eras is precise, but fails to spot the point. Both Mayawati and Edwin hunted to oust the old array and institute the magnitude of the new-fangled. In doing so, they willfully sought after an architectural style that would be grand in aspiration but thoroughly poles apart from the fashion of the ruler they displaced.



Edwin commemorated canon by the British colonial race. Mayawati is commemorating canon by the small fry (dalit), a phenomenon ended feasible by democratic system. In this respect, New Lucknow beats New Delhi. Lastly also gives the message that Edwin’s New Delhi might be transformed in coming times into Mayawati’s New Delhi.















Prateek Pathak 
Student
B.A in Media Studies
University of  Allahabad