Chief Minister Mayawati is Modern Edwin – criticized but would be extol in approaching years…..

Uttar Pradesh chief minister Mayawati is now a celebrity, a star and modern times Edwin-some will say tarnished - for stiffing numerous huge statues in Lucknow and Noida of dalit idols like B R Ambedkar, Kanshi Ram and herself. This is, of course, a pompous polity implement. Nonetheless history might in due course memorize her not just as a dalit neta but also as the Edwin of this Era.

As many news channels on occasion of 100 years to Delhi broadcasted that when the British moved their capital to Delhi, Sir Edwin Landseer Lutyens and other British architects were bid to India to build New Delhi, a great new city outside the old walled city of Delhi. They produced spacious boulevard and gigantic edifices of red sandstone. Vast public spaces were created between Edwin ' two most famous creations, India Gate and Rashtrapati Bhavan.

Mayawati's level is not reasonably as pushy. Yet her massive parks in Lucknow(many made damaging sports stadiums) must grade among the utmost new open places created in any Indian city since Independence. Her parks are ringed by sandstone lattice walls that seem to come straight off the drawing board of Lutyens. Yet like every public space in our nation, walls are filled with names inscribed by the commoners and spit spots. Moreover I like others have appreciated more if much money has been spent on places like hospitals etc with statues was fine. So, it is no twist of fate that Mayawati's kingdom is identical to Edwin' Delhi. She has drawn on ancient Buddhist architecture no less than Edwin did.

Ambedkar pose dalits to espouse Buddhism as a asylum from caste subjugation in our country. BehenJi has taken the neo-Buddhist loom auxiliary, using the elephant (holy in Buddhism) as her party's symbol. Hindu dalits have always been exploited, and have never had a chronological blond epoch to illustrate on as a spring of delight. However the neo-Buddhist dalit has a Buddhist blond epoch to hark rear to, and Mayawati has used this to the budge.

Akin to Edwin and the Mughals previously, Mayawati has used building to send out a political message. Edwin New Delhi designed to signify the grandeur of British Raj. Shahjahan's Red Fort designed to signify the splendor of Mughal rule. Mayawati's Lucknow and Noida’s architecture signifies the go up of dalits, not only in the capital of biggest state of the country but also neighboring city of Edwin Delhi- the capital of our country showing that she will reach their too. 

BehenJi has been condemned extensively on dailies and Tv Shows for hundreds of crores she has spent on cryptogram of sumptuousness instead of expenses on the poor or dalits which ultimately made her the Queen of Dalits. This is no different from denigration by Indian nationalists of Edwin and the British Raj, who were also alleged of slaying huge money on majestic edifices while populaces famished. Nobody remembers that denigration of Edwin any more. The same will one day be true of Mayawati. Furthermore like some Political Pundits I am also of the view that covering statues in these parks will not harm her in these elections.

Her New Lucknow has ostentatious spacious infrastructure and snobbish hotels next to the great parks. They seem massively high-class compared with the collapse, jam-packed passageway of the old city. Critics criticize that she is generating a splendid novel area for a new-fangled cream of the crop while neglecting old quarters. They concede that the parks are undeniably immense unwrap spaces that the civic can use, but say it's awful to fritter millions on a New Lucknow alike Edwin (New Delhi from Old Delhi) while parting the old city engrossed in muck and overlook. Probably unerringly the matching denigration was finished of Edwin when he built New Delhi, neglecting Old Delhi.

When I conversed with some of the old-time residents of Lucknow are exceedingly significant of the construction style of Mayawati's New Lucknow. They articulate her massive new arrangements are from top to bottom out of moral fiber with the city's famous Islamic architecture and its two great Imambaras. This, again, cacophonously echoes denigration of Edwin by Delhi residents of his time (as history tells), for building something completely out of character with the great Islamic architecture of old Delhi. But as now Edwin is remembered for great artitechture and mindset and few years Mayawati would be the modern times Edwin.

The denigration in both eras is precise, but fails to spot the point. Both Mayawati and Edwin hunted to oust the old array and institute the magnitude of the new-fangled. In doing so, they willfully sought after an architectural style that would be grand in aspiration but thoroughly poles apart from the fashion of the ruler they displaced.

Edwin commemorated canon by the British colonial race. Mayawati is commemorating canon by the small fry (dalit), a phenomenon ended feasible by democratic system. In this respect, New Lucknow beats New Delhi. Lastly also gives the message that Edwin’s New Delhi might be transformed in coming times into Mayawati’s New Delhi.

Prateek Pathak 
Student
B.A in Media Studies
University of  Allahabad 

A new room to improvise with an adjustable eye- Photo Exhibition

The young curious eyes with a vision in their mind composed and captured the beauty to be a memorable thought for life. 0n 23^rd February 2012, Center of Media Studies witnessed the passion for photography of its three students of B.A in Media Studies SEM IV; Prateek Pathak, Saurabh Agarwal and Suheena Gupta by organizing their photography exhibition at Nirala Art Delegacy.

The three days exhibition was inaugurated by Prof. G.K Rai, Director IPS and was followed by words of appreciation by him. Prof. Rai was immensely delighted to see the budding photographers whose work contained gravity of devotion for their work. He motivated students to rise above the cobweb of marks and percentage and acquire the skills required for their profession. He also congratulated the teachers of CMS for taking keen interest in promoting the talents of their students.

Each of the budding photographers with their perception painted a thought trough their cameras. The cascade of their thoughts reached to the viewers and everyone present appreciated the splendid work.

Photography is much beyond the truth and reality, it’s about the interpretation of ones surrounding and it gives the viewers the opportunity to find several avenues in a single snapshot. The caption with every photograph added enormity to the clicks.

The vivid range of photographs provided the viewers with spices of all kinds. The amazing Jama Masjid photograph on one hand assimilated the tranquility of the celestial ambiance; on the other hand the pictures of flowers and insects life on them spoke of the beautiful creation of god. All the photographs were mesmerizing and treat for the eyes.

It was an overwhelming moment for CMS as it added a new thread of achievement into its colourful fabric.

Allahabad Post takes the pleasure of organizing their first event in collaboration with Centre of Media Studies, University of Allahabad. The photography exhibition would continue on 24^th and 25^th of February 2012.  

Richa Tiwari 

Student

B.A in Media Studies

University of  Allahabad